January 23, 2009 – after having modelled a mask in Blender using tutorials, I tried numerous ways to try to make that digital 3d model come out in real media in 3d (whatever “real” means) …this process could have been alot easier if i’d wanted to break down and buy a product like waybe – or if the demo worked, which it doesn’t seem to on my computer for some reason, try though I may to download it… sigh… so I just tabled the strategy of printing a foldable version of a 3d model for now, and started with different strategies for getting cardboard to look like a face…
I searched the surface of the digital face in Blender, for places to start. Had a few false starts trying to start by building a nose in space– just didn’t work– so went by way of sortofa silhouette…
following the map sketched out in the Blender tutorial, I laid down something like crossections, which I soon decided was going to be the only way…
…By the way, I know that ultimatelly it could be possible that the face is the one thing I won’t have to build from cardboard– if I find the right sized internals, potentially I could just used a purchased plasic mask… But I’m going along with the intention, ongoing, to make sure I’m able to create the most difficult parts of the sculpture, the face being definatelly one, by hand if need be….
…call it peace of mind 🙂
Alternating types of cardboard, all of it of a stiff and thick grade, reveal the contours… the corners of the mouth, though, might have been inaccurate…
The nose, as you’d expect, was as much a mystery as thumbs or fingertips.
…Elevated the layers, using the same technique with which cardboard is made thicker: with an inner layer of accordioned cardboard, holding the two at an exact distance apart with surprising sturdiness…
I stuck in tubes for the eye sockets, thinking that such a tube would be desirable, ultimatelly.
…I noticed at some point that the mouth was flat… said I’d handle that on the next round…
Filling in….
Despite its flaws, despite its being more face than mask for being filled in behind the surface and uninhabitable/inoccupyable, the seeming sense of personality comes through into the curious properties of cardboard, one of my very favorite recyclables..
I took this as I take them all: as a draft, as yet one more in a long series of drafts. If I start to think of the thing as a final version, it would exhaust me from further work.
I took then to creating the next one…
Here is the sketch in 2d, which would become the crossectins of the next face….
Elevated the layers the same as before…
Tried a little something different with the lips.. Then looking at it, realized those lips were way too big (scale is something I’ll have to look at later– one part of the face is very prone to jump much longer/wider/deeper/etc than the other..) so converted what would have been the lower lip, to the chin… liked the change…
…you can’t see that change here- but basically just bent the lower globules down…
Then started filling in this one!!
Went back to that captivating shape, the “lip” shape (or the fish, or tendon, or feather, or some-odd whatever-youd-like-to-call-it shape) and it was going well….
…On this one, I forgot to put that tube in the eyes… See the next shot for the effect that makes…
And the face is filled!
I did one less layer than I did with the last one– the first face had this bottom layer which was round, which really rounded out the rest– this one’s got alot curvier temples as a result… maybe an oops, maybe just something to be refined…
His (his?) mouth looks really unhappy tho…
The eyes on this one took on those curvy shapes almost of their own accord.. I couldn’t get the right one to look as good as the left one though…
I managed to get the mouth to be 3d this time… By way of making sure the extreme ends of both lips curved back one layer of crossection….
Now here’s where the real adventure starts… using the experiments in face-building for an entirely different experiment: an experiment in things to cover them with.
I got out the fiberglass resin/hardener, but I told myself that for now, I was just going to cover it with the resin, no fiberglass for now, just to see what would happen…
I paid extra special care to the mixing this time– won’t be being careless about that part of the process again anytime soon after last quarter’s little problem….
Now I don’t know about you, but I like the way it looks at this stage. Maybe it’s my favorite stage in this whole process. And what’s awesome is, a few hours after painting on resin, the thing is as hard as a rock!! (fixing one of the few probs with using cardboard 🙂 🙂 )
I’ve seen lots of fiberglass projects where the addition of fiberglass/resin over cardboard kinda looks yucky compared with how just the plain cardboard looked… You know, strange tho it may seem, cardboard turns out to be, in addition to terribly useful, an actually quite good-looking substance if you give it the chance– Fiberglass cloth is still rather unruly if you get my meaning– takes a different level of finessing than the other elements in the process. But actually, maybe we could consider using resin alone… Future project, as I see it…
Now this is the part that might break your heart– I admit I can’t fully admit to liking the outcome either…
But I just had to see what happens if you use Bondo– and I had a can of the stuff– I honestly wasn’t sure what Bondo was, or what it looked like, how it behaved or what it was going to do– all I knew was that it’s commonly mentioned as the final step of a fiberglass project– now the color is this wierd silly-putty color– like some strange cartoony skin color– kinda gives it a spooky look– I do actually also have white pigment (I kinda went on a Tap Plastics shopping spree last quarter to make sure I’d have plenty of different ways to play) but I wanted to see how it looked without first… Maybe next time use it… And wow Bondo sure cures fast! I was barely able to get over a quarter of the face before it really started turning into harder and harder paste… Next time I might just plan to do only a quarter of area at once– either that or look for retardant for Bondo… After that, it was relatively easy to sand down… It didn’t sand down quite as smooth as I imagined, but then maybe I just need to work at it longer. That’s possible– I never actually really sanded much before 🙂 Take a comparing glance at the moment, at the before and after of the Bondo for this one– doesn’t the cardboard look robotic?? I find that interesting… You know the problem with covering under-bodies with a smooth substance, sometimes, is that you can no longer see the *effort* that went into that underbody… The ‘finalizing’ step can sometimes turn out dissappointing for that reason… But as I said before, these are all ‘drafts’ and will keep being drafts for a while to come– thinking this way keeps me from dissappointment 🙂
Now there was one other material that I obtained in eagerness recently, that I was dying to try out: Acryllic Modelling Paste… I smeared it around that first one– it was really quite frosting-like…
…And here it is after a bit of work with the sandpaper…
…Yeah, I know, kinda snow-man-ish… maybe my under-structure needs to be more skinny or wiry for this material…Or maybe I need to lay it on more thinly… Or actually, maybe I need to work on the way I lay it on– seeing as I just used a plastic knife for the job, I can see that happening 🙂 Yes, I could try to be more careful with that next time I use the modelling paste… Or maybe I could mix it with water to get it thinner?
Well, here’s the outcomes of this weekend (so far) two very different materials covering two somewhat differently constructed cardboard underforms— one material being a heavy, thick ready-to-apply acryllic-based paste, and the other being a material usually used to repair the bodies of cars… Both are pretty strong, the Bondo is much lighter, and they were both kinda hard to sand… I could probably layer on more goo of various kinds, to try to get it smoother– but for now I’ll leave these be… I think I kinda like the Bondo one, the more I look at it… kinda creepy/stoney– unfortunatelly looks like more like a bad job with ceramic clay though than any kind of synthetic plastic, but we live and learn 🙂
And I am tired now! That was all very surprisingly exhausting, even though alot of those last steps were, well, all about waiting for things to dry. You know, I think somehow some of my less-than-satisfaction comes with the lack of detail– and I think that came about partly as a result of the kinda primitive and inelegant tools I’m using (plastic knife, and big metal putty spreader) and the fact I’m doing most of the work outside where there’s little light because I’m paranoid about fumes lingering in the house 🙂 Maybe I oughta get braver about that– nothing but the resin really is dangerous– and get comfy and settle in for alot longer, drawn-out work…
k